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130, + "fit": "cover", + "zoom": 1 + } + ] + } + ] + } + ], + "errors": [] +} \ No newline at end of file diff --git a/autumn-journal-20261028/series-request.json b/autumn-journal-20261028/series-request.json new file mode 100644 index 0000000..8648175 --- /dev/null +++ b/autumn-journal-20261028/series-request.json @@ -0,0 +1,175 @@ +{ + "schemaVersion": 2, + "name": "把秋天装进一页 · 银杏观察手记", + "document": { + "brief": { + "topic": "银杏与秋日观察手记", + "intent": "以封面、观察方法和行动结尾组成三页可发布图文", + "audience": "喜欢日常摄影与视觉手帐的小红书读者", + "designIntent": "奶油纸底、森林墨色、银杏金点缀；宋体大标题与克制的无衬线正文；所有页面保留相同页边距和节奏；正文优先保证手机端阅读清晰，保持宽松留白。", + "imageStrategy": "生成一幅原创银杏静物插画作为系列母图；每页复用素材，保留裁切配置，不把正文烘焙进图片" + }, + "pages": [ + { + "key": "cover", + "role": "cover", + "intent": "用银杏静物与两行大标题建立主题", + "bindings": { + "T01": "title", + "T02": "body", + "T03": "caption" + }, + "layoutId": "standard-01", + "parameters": { + "texts": { + "T01": { + "value": "把秋天\n装进一页" + }, + "T02": { + "value": "不必走很远。\n一片银杏，就是今天的风景。" + }, + "T03": { + "value": "SEASONAL NOTES / 01" + } + }, + "images": { + "I01": { + "fit": "cover", + "zoom": 1, + "cropX": 50, + "cropY": 50, + "assetId": "2cc1b693-6653-4645-b60a-7dbc956a526a" + } + }, + "decorations": {} + } + }, + { + "key": "observe", + "role": "body", + "intent": "用三个观察动作提供可实践的方法", + "bindings": { + "T01": "title", + "T02": "body", + "T03": "caption" + }, + "layoutId": "standard-01", + "parameters": { + "texts": { + "T01": { + "value": "先看见\n再记录" + }, + "T02": { + "value": "看叶脉，看光落下的方向。\n留住一片金黄，也留出一半空白。\n把感受写成短句，画面就有了呼吸。" + }, + "T03": { + "value": "FIELD NOTES / 02" + } + }, + "images": { + "I01": { + "fit": "cover", + "zoom": 1.25, + "cropX": 65, + "cropY": 40, + "assetId": "2cc1b693-6653-4645-b60a-7dbc956a526a" + } + }, + "decorations": {} + } + }, + { + "key": "ending", + "role": "ending", + "intent": "以轻量行动和提问收尾", + "bindings": { + "T01": "title", + "T02": "body", + "T03": "caption" + }, + "layoutId": "standard-01", + "parameters": { + "texts": { + "T01": { + "align": "middle", + "value": "留一点白\n给下一次" + }, + "T02": { + "align": "middle", + "value": "今天，捡起一片叶子。\n用三个词记录它的颜色、纹理与心情。\n你的秋天，会从哪一页开始？" + }, + "T03": { + "value": "YOUR TURN / 03" + } + }, + "images": { + "I01": { + "fit": "cover", + "zoom": 1, + "cropX": 65, + "cropY": 50, + "assetId": "2cc1b693-6653-4645-b60a-7dbc956a526a" + } + }, + "layers": { + "I01": { + "x": 40, + "y": 55, + "width": 40, + "height": 40, + "radius": 20 + } + }, + "decorations": {} + } + } + ], + "style": { + "palette": { + "ink": "#253C32", + "muted": "#718074", + "paper": "#F3EFE5", + "accent": "#C3A050" + }, + "spacing": { + "gap": 4, + "margin": 10 + }, + "version": "autumn-journal/2", + "typography": { + "body": { + "fontSize": 4.2, + "fontFamily": "sans", + "fontWeight": 400, + "lineHeight": 1.55, + "letterSpacing": 0 + }, + "title": { + "fontSize": 8.4, + "fontFamily": "serif", + "fontWeight": 600, + "lineHeight": 1.15, + "letterSpacing": 0 + }, + "caption": { + "fontSize": 2.3, + "fontFamily": "sans", + "fontWeight": 500, + "lineHeight": 1.2, + "letterSpacing": 0 + } + } + }, + "sources": [ + { + "url": "generated", + "tool": "image_gen built-in", + "author": "AI generated with coding agent", + "prompt": "Create a refined editorial still-life illustration for a Chinese autumn visual journaling article. Landscape canvas 3:2, very high detail. Three delicate golden ginkgo leaves with long elegant stems arranged diagonally over warm ivory handmade paper, a small weathered black ink stone in the bottom left, a muted olive linen strip at right, soft late afternoon sunlight with long graceful shadows. Color palette warm ivory #F3EFE5, deep forest ink #253C32, ginkgo gold #C3A050, muted sage #718074. A quietly luxurious contemporary Chinese independent magazine aesthetic; tactile botanical print combined with realistic paper texture, sophisticated negative space, warm restrained tones. The leaf veins and natural irregular edges are beautifully visible. No lettering, text, logos, watermarks, frames or layout mockup. This is original botanical illustration, not a photograph of a real specific artwork. Single cohesive scene, not a collage or multi-panel.", + "assetId": "2cc1b693-6653-4645-b60a-7dbc956a526a", + "license": "AI-generated original; no third-party source photograph" + } + ], + "version": 1 + } +} \ No newline at end of file diff --git a/autumn-journal-20261028/visual-review.json b/autumn-journal-20261028/visual-review.json new file mode 100644 index 0000000..aa5e6b0 --- /dev/null +++ b/autumn-journal-20261028/visual-review.json @@ -0,0 +1,27 @@ +{ + "revision": 2, + "result": "passed", + "reviewer": "coding agent visual inspection", + "artworkPages": [ + "01-cover.png", + "02-observe.png", + "03-ending.png" + ], + "viewportsReviewed": [ + 390, + 1200 + ], + "checks": { + "chineseGlyphs": true, + "bodyReadabilityOnPhone": true, + "textNotClipped": true, + "imageCropIntentional": true, + "consistentPaletteAndHierarchy": true, + "pageOrder": true + }, + "notes": [ + "Increased body token from 3.1 to 4.2 and adjusted line height to 1.55 after reviewing the first phone capture.", + "Cover uses the full scene, body uses a closer crop, ending isolates the leaf in a circle.", + "Revision 1 files remain unchanged; revision 2 is the selected delivery." + ] +} diff --git a/lotus-shadow-20261028/asset.json b/lotus-shadow-20261028/asset.json new file mode 100644 index 0000000..c9d7680 --- /dev/null +++ b/lotus-shadow-20261028/asset.json @@ -0,0 +1,4 @@ +{ + "assetId": "f76134e7-6e4f-4261-b90c-3c523dc16307", + "uploadedBytes": 2110917 +} \ No newline at end of file diff --git a/lotus-shadow-20261028/design.json b/lotus-shadow-20261028/design.json new file mode 100644 index 0000000..1f718ca --- /dev/null +++ b/lotus-shadow-20261028/design.json @@ -0,0 +1,276 @@ +{ + "id": "88286f4a-7ea8-4b2c-9d67-5627eb7c9d9d", + "layoutId": "ref-06", + "name": "荷影入戏 · 东方物候 01", + "parameters": { + "added": [ + { + "id": "user-series", + "box": [ + 7, + 7, + 94, + 4 + ], + "kind": "text", + "role": "系列眉题", + "text": "东方物候 / ORIENTAL FORMS", + "reading": "custom", + 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It is a photograph, not a finished poster. +Create ONE finished opaque portrait artwork, EXACT aspect ratio 3:4, ideally exactly 1536 x 2048 pixels. TWO edge-to-edge equal-height horizontal panels, seam at EXACTLY 50% of total height (y=1024 for a 2048-high canvas). No margins, frames, titles, lettering or logos anywhere. +TOP HALF: retain the supplied photograph faithfully, including the same bloom with pointed magenta petals, dark central stamens, the rightward curving stem, the partial leaf and its reflection on pale green-gray water. Keep its recognizable structure, petal count impression, orientation and natural photographic texture. Fit the ENTIRE original landscape composition into the top half; it already has the correct 3:2 panel ratio. No new flowers, buildings or people. Very restrained refined color grading only, no illustration treatment. +BOTTOM HALF: translate that very same flower and its distinctive asymmetric open petal silhouette and curving stem into ONE traditional Chinese translucent leather SHADOW PUPPET performing BEHIND a softly backlit warm xuan-paper screen. Stylized flat side-facing leather construction, ruby/muted vermilion petals, olive-green stem, amber-translucent stamens, intricate sparse cloud-pattern and geometric cutouts. Two or three plausible articulated overlapping petal sections with tiny visible brass rivets, subtle leather edges. One or two very fine bamboo control rods rise from the BOTTOM edge and attach plausibly to flower base / stem. This is a puppet projected through a screen, not a craft object photographed on a table. Soft brown shadow feathering, gentle warm lamp glow, warm ivory/amber paper fibers, quiet softly darkened edges. +The puppet and stem occupy only about 25–35% of the lower panel AREA, slightly right of center, leaving generous peaceful negative space. Preserve the flower's expressive open pose and rightward curve, rather than adding a human face or human limbs. One bloom, one puppet, no stage panorama, audience, puppeteer or props. +Visual mood: a restrained Chinese cultural exhibition artwork, poetic and tactile. The photograph's cool pale green water is balanced by the warm illuminated paper below. +Hard constraints: exact 3:4 full canvas; exact 50/50 panel division; top remains authentic same-source photography; bottom is unmistakably carved articulated Chinese shadow-puppet grammar with visible rods and warm transmitted light. NO TEXT. NO extra borders or outer editorial layout (the Studio layout will add typography separately). 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